Vincent van Gogh
Still Life with Coffee Pot, 1888
The first volume featuring the collection of the Basil and Elise Goulandris Foundation is dedicated to modern art from 1870 to 1945. Spanning some 600 pages the catalogue presents each work of art in detail and also includes a chronology.
The Collection of the Basil and Elise Goulandris Foundation is one of the most important private collections to be assembled in the course of the second half of the 20th century.
Like all collections, the present one is eminently subjective. Although Basil and Elise Goulandris were surrounded by renowned historians and professionals from the art market already in the early 1950s, the couple chose these works following the criteria of their own personal tastes and aesthetic standards. They built their collection with care, patience and true devotion over a period of nearly fifty years and this with the aim that it would one day be exhibited in their museum.
*Edition in Greek
Poster featuring Vincent van Gogh's "Still Life with Coffee Pot", 1888, from the Basil & Elise Goulandris Foundation Collection.
Small framed print of Vincent van Gogh's painting "Still Life with Coffee Pot", 1888, from the Basil & Elise Goulandris Foundation Collection. Pinewood frame with glass cover, painted in white patina.
Giclee print on cotton japanese paper featuring Vincent van Gogh's "Still Life with Coffee Pot", 1888, from the Basil & Elise Goulandris Foundation Collection.
Double wall copper vacuum insulated thermal bottle 500ml. Inspired by Vincent van Gogh's "Still Life with Coffee Pot", 1888, from the Basil & Elise Goulandris Foundation Collection. Stays cold for 48h and hot for 12h.
The first volume featuring the collection of the Basil and Elise Goulandris Foundation is dedicated to modern art from 1870 to 1945. Spanning some 600 pages the catalogue presents each work of art in detail and also includes a chronology.
The Collection of the Basil and Elise Goulandris Foundation is one of the most important private collections to be assembled in the course of the second half of the 20th century.
Like all collections, the present one is eminently subjective. Although Basil and Elise Goulandris were surrounded by renowned historians and professionals from the art market already in the early 1950s, the couple chose these works following the criteria of their own personal tastes and aesthetic standards. They built their collection with care, patience and true devotion over a period of nearly fifty years and this with the aim that it would one day be exhibited in their museum.
*Edition in English
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